Internationally renowned artist Jamali has long attracted a select and international circle of collectors, drawn by his mystical style and charismatic persona. Jamali’s artistic career had unconventional beginnings, true to the maverick’s path. Thirty years ago, a vision came to him and a dream guide commanded him to paint. In response, Jamali invented a unique style of “mystical expressionism,” a marriage of contemporary consciousness and art’s most ancient traditions. Jamali’s fusion of these opposites, the contemporary and the timeless, has produced a life work unmatched in its scope, variety, and spiritual depth.
Jamali’s complex surfaces and mystical imagery have been compared to the neo-expressionists Anselm Kiefer and Georg Baselitz. His gestural techniques link him to Jackson Pollock and the New York school. But the pre-eminent art critic Donald Kuspit has seen that Jamali’s singular method requires its own name. Mystical expressionism is a mode of art-making that combines the scientific insights of our new age with humankind’s ancient wisdom. Obeying the dream guide who set him on the path to art, Jamali himself has named his life’s work Art & Peace. Through these works, persistent themes and mythic imagery define a singular artistic vision. Jamali’s paintings are inhabited by dream figures that appear and then fade away. Mothers, sons, lovers, and dream guides: these are the characters of Jamali’s visionary cosmos. His hieroglyphs and inscriptions promise revelation without disclosing their truths easily. Always dwelling in the tension between image and abstraction, Jamali draws us toward “the beautiful resolution of opposing forces”, the moment of transcendence in which art coincides with peace.
The source of Jamali’s art and his life lies in the primordial spiritual traditions of the East. In his birthplace Peshawar, the Asian crossroads city, Jamali drank in Buddhist, Hindu, and Sufi ideas of the sacredness of being. He spent years of his youth with a mysterious desert people who still respect the shaman’s powers. But he also studied modern physics and engineering. Jamali is the first to incorporate the paradoxes of quantum mechanics into contemporary art.
In recent work, Jamali explores new materials and artistic ideas. In his paintings on cork, he creates a kind of negative surface, exploiting the cork’s readiness to absorb and resist pigment. His sculptures embody the violent force of his creative genius. From the beginning, Jamali has made his own path. He has pursued an “ecological vision” of art’s place in contemporary life–art as an essential part of our contemporary household and the vehicle of a new mythology. Jamali now beckons a wider public to take part in that vision.